Sounds Visual Radio
Sounds Visual Radio
Sounds Visual Radio Presents: How Deep Is Your Crate Episode 28 w/ Geoff Hazelrigg

On this episode of the Sounds Visual spinoff series How Deep Is Your Crate, Hazelrigg Brothers bassist and co-owner of Hazelrigg Industries Geoff Hazelrigg phoned in to talk about his newest record Synchronicity: An Interpretation of the Album by the Police, as well as to talk about some of his favorite albums.

Perfectly expressing the political and social temper of the early 1980s, the original landmark album, Synchronicity, was a near-constant soundtrack to George and Geoff Hazelrigg’s upbringing, and a huge influence on their artistic future. Hazelrigg Brothers celebrates the 40th anniversary of this classic album with Synchronicity: An interpretation of the album by The Police, an audiophile experience full of the fire, power and dynamics that have become their trademark. The album was recorded in one room using two stereo microphones, captured in DSD. Available June 2, 2023 on 180 gram vinyl (mastered from DSD), CD, and digital download through Native DSD, on “Murder By Numbers” will be available only in digital formats (CD and download).

The origins of this recording go back forty years to Princeton, NJ with two precocious kids tuning into MTV and discovering a whole world of music. The opening notes and images of The Police’s “Every Breath You Take” captivated their young minds, and they were entranced by the videos for “Synchronicity II” and “Wrapped Around Your Finger.”

“There were a ton of videos that we saw on MTV, but those had such major influence. That shapes your brain when you’re a kid. That record is in our blood,” said Geoff. George added, “Synchronicity I is punk as f*ck! It’s so exciting when you hear that riff in the intro. Also, that is the bit of music that Geoff used to test VLCs in the first years of Hazelrigg Industries.” On that note, outside of playing music, the brothers’ “day job” is Hazelrigg Industries as designers and manufacturers of high-end studio recording gear used by top producers, engineers and artists around the world.

The Hazelrigg Brothers did an arrangement of “Synchronicity II” for a recording they made in the nineties, so the idea for this album had been marinating for a while. George elaborates, “We’ve been on this kick with The Police for a long time. We worked on the arrangement for “Miss Gradenko” for years. It went through dozens of iterations before we wound up with what we have on this record.”

This album was born out of love for Synchronicity, arguably The Police’s crowning achievement, and a desire to commemorate and celebrate the album’s fortieth anniversary. “I remember being in high school and having that record on nonstop; I had it in my Walkman forever,” said Geoff. Getting right to point, George added, “I think so many of the songs on the record really resonate, I mean, they’re all so good,” a sentiment most of us can wholeheartedly agree with.

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