Bobby Hamilton describes his legendary 1970s spiritual jazz album, Dream Queen, as a raw love letter to a genre that offered little commercial reward, transforming it from a self-pressed obscurity into a sought-after collector’s holy grail.

“Liner Notes” is a Sounds Visual Media spinoff series where musicians, composers, DJs, beatmakers, and collectors dig into their crates to share favorite records. In this installment, award-winning jazz trombonist and composer Sam Blakeslee discusses the release of his big band record, “New Blood.”

Forged in the Mississippi Delta’s blues and gospel fire and tempered alongside Ornette Coleman’s revolutionary harmolodic vision, Bobby Bradford’s trumpet became a fearless instrument of pure sonic invention — unshackled from chords, unbound by convention.

In this 2012 interview, legendary drummer Bernard “Pretty” Purdie discusses a relentless career, revealing how he unknowingly engineered the soul of modern music—from accidentally producing Gil Scott-Heron to anchoring hits for Aretha Franklin and Steely Dan—all while letting his immortal groove and notorious “Hit Maker” signs do the talking.

From the intimate, jazz-infused piano motifs of “The Conversation” to the avant-garde technical precision of “The Taking of Pelham One Two Three,” David Shire has spent a storied seven-decade career masterfully balancing the collaborative service of film scoring with the singular, thematic soul of a dedicated storyteller.

Norman Connors’ lifelong rhythmic ingenuity and the mentorship of jazz icons like Miles Davis and Max Roach empowered him to develop a distinct, polyrhythmic drumming style that bridged the gap between complex jazz and melodic R&B.

Pioneering drummer Bill Curtis shares his half-century music journey, detailing how he forged The Fatback Band’s signature “greasy” funk sound, fought for independence in a notoriously exploitative industry, and accidentally helped lay the groundwork for both rap and house music.

Chicago soul powerhouse Ruby Andrews reflects on her storied career, detailing how her chart-topping hits like “Casanova, Your Playing Days Are Over” were born out of personal life experiences and brought to life with legendary Detroit musicians like the Funk Brothers.

Producer David Rubinson traces his path from directing theater at Columbia and boldly recruiting Leonard Bernstein for an Off-Broadway production into a decades-long career shaping the sound of artists like Herbie Hancock, the Pointer Sisters, and Santana—while reflecting on the philosophy of capturing live, spontaneous synergy over studio perfection.

In this installment of Liner Notes, Amanda–the PhDJ–dives into Medeski Martin & Wood’s beloved album Shack-man, a cohesive, accessible masterpiece that opened the door for many fans to appreciate the trio’s infectious grooves and experimental, funk-infused jazz sound.